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Finding the Emic in Systemic Design: Towards systemic ethnography

Format: Papers, RSD7, Topic: Culture & Society, Topic: Methods & Methodology

Ryan J.A. Murphy

An under-emphasized but crucial variable of success in systemic design is the perspective through which a problem system is understood and from which interventions are conceptualised and implemented. While rooted in design (a consciously empathetic discipline; cf. Kimbell, 2011), it is easy for systemic designers to use research practices that may fail to capture and use the perspectives of their stakeholders. These approaches risk misrepresenting the stakeholders who contribute to projects, and, in turn, they are a danger to the potential impact of these mis-researched problem systems. In this research, I propose an assessment framework to check whether a project effectively deploys research tools and processes that strengthen stakeholders’ perspectives. I provide a proof of concept of this framework in use through hermeneutic case study analysis.

Systemic design processes not executed with the direct and explicit engagement of stakeholders—to the extent of achieving an emic (from within) understanding of the system—may be flawed at their foundation. By fostering recognition of the importance of an emic perspective and by providing a framework of principles, practices, and processes to accomplish systemic design with this perspective, I hope to ensure that systemic design processes are as accurate and valid as possible with respect to the stakeholders of the system.

This is not to suggest that systemic design practice is “too etic” (from outside). In fact, with roots in design, systemic design is often deliberately emic. Systemic designers use designerly tools that help the researcher build empathy with system stakeholders (e.g., soft systems methodology, critical systems heuristics, appreciative inquiry; Jones, 2014). They often seek to engage stakeholders in the systemic design process and include reflective analysis of what has been learned to assess where deeper engagement with the system is required (Ryan, 2014). that said, with the advent of crowdsourcing (the facilitated involvement of the general public in problem-solving, usually using online tools; Lukyanenko & Parsons, 2012) and data science (the use of computational tools to analyse and understand large quantities of data; Šćepanović, 2018), data-driven methods may increasingly influence systemic design practice. One recent example sought input from hundreds of people to identify opportunities for change in Canadian post-secondary systems through an iterative online survey (Second Muse, Intel, & Vibrant Data, 2016). This data-driven direction is a powerful opportunity, of course, but it underscores the need to develop principles and best practices for assessing and supporting emic understanding as we gain more data from these tools.

In the first phase of this research, I look to the principles and theorists of ethnography to develop a framework for assessing the emic/etic perspective of a given research project. Namely, Geertz’s “Thick Description: Toward an Interpretive Theory of Culture” (found in The Interpretation of Cultures, 1973, chapter 1) provides a foundation for the process of emic research in the form of four iterative steps: (1) acknowledge initial impressions; (2) capture speech, behaviours, events, and artefacts; (3) construct meaning; and (4) self-appraise sufficiency of capture and construction of meaning. Meanwhile, Creswell and Miller (2000) provide a set of five procedural principles for emic validity: (1) triangulation, (2) disconfirming evidence, (3) prolonged engagement, (4) member checking and collaboration, and (5) researcher reflexivity. Taken together, I generate a critical research framework which can be used to assess a given research project’s emic/etic perspective.

In the second phase, I provide a proof-of-concept of this framework (and its theoretical underpinnings) via a case-based assessment of three systemic design projects. Case studies provide an effective venue for learning about the context-dependent manifestations of the phenomena being studied (Flyvbjerg, 2006). One of these case studies is one I have developed through my experience in participating and contributing to the development of the Canadian National Youth Leadership and Innovation Strategy framework, which convened hundreds of youth and youth-serving organisations in order to understand the youth leadership and innovation system in Canada (MaRS Studio Y, 2017). The second and third case studies are those profiled by Ryan and Leung (2014). In each case, I use identify phenomena representing the practice of emic (or etic) understanding in the research orientation of the work, as acknowledged by the above framework. I examine the step-by-step procedure and any associated notes about the experience of the researchers and participants involved. In each step or experience, I look for evidence of the four steps of emic understanding or the six techniques of emic validation reported above.

In order to interpret and analyse the chosen case studies, I turn to the methodology of phenomenological hermeneutics (Eberle, 2014, p. 196; cf. Wernet, 2014). Phenomenological hermeneutics are appropriate as I have access to the described phenomena of the systemic design projects captured by the chosen cases, but these phenomena are not explicitly captured with reference to emic or etic perspectives—thus, some construction of the inherent emic or etic data is necessary in order to make judgments about the perspectives found in the projects.

This hermeneutical analysis provides comparative evidence for the emic and etic perspectives used by the researchers in each case. It becomes possible to contrast and critique the principles, practices, and processes employed in each project in order to make a judgment about the project’s resulting emic/etic orientation. From these analyses, a metaphor emerges. Systemic design projects with etic orientations adopt an intensivist approach. Akin to intensive care in medicine, the systemic designers attempt to artificially suspend a system in a room. (Consider board room systems mapping as a trivial example of this practice.) Attempts are made to “get the whole system in the room”, but the system is therefore removed from its context. The status of inaccessible elements of the system is guessed at and assumed, while other elements are placed in stasis and augmented by facilitation and technology. The resulting interventions are spun up in this artificial space but implemented in the system’s context—the systemic design team hopes that their assumptions hold and that the artificial suspension doesn’t cause too much damage. System design projects with an emic orientation adopt an extensivist approach. The designers themselves extend into the system. They sit with it for a while in order to acclimatise to its culture and learn its patterns. They interact with stakeholders and phenomena in context and capture these interactions as they are, as an ethnographer would. The interventions they develop are (co-) created in place and built into the system’s real networks and activities.

Of course, the challenge with these duelling approaches is that there are important trade-offs. The extensivist approach takes time and personal investment. What’s more, the intensivist approach can have other valuable outputs: stakeholders of a system see one another and the parts of the system they interact with as a cohesive whole. The result of this analysis, then, is not an obvious set of best practices. Instead, the emic/etic assessment framework can be used to judge how a research project effectively captures the perspectives of its stakeholders. It breaks down a project into components, each providing an intervention point for enhanced emic understanding. Finally, it provokes a reflective conversation, forcing us to ask ourselves where we can do better.




Citation Data

Author(s): Ryan
Title: Finding the Emic in Systemic Design: Towards systemic ethnography
Published in: Proceedings of Relating Systems Thinking and Design
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First published: 2 October 2018
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